![]() ![]() Resolve won't read my AVI files, and the Cineform MOV files, for whatever reason, take forever to encode on my machine. ![]() This is also where I feel like I fall short the most. This is the point where I feel like I should be doing my color grading (not the finished look, but the camera-matching stuff). Then I set up a project in Premiere and do my multicam edit. And if I'm lucky enough to get enough videographers involved, I'll have up to five angles to work with.Īfter the shoot, I transcode everything into Cineform AVI (easier on the computer to edit) and separate the footage into folders (Camera A, Camera B, etc.). Typically, I'll have all four of these going at the same time. The HV30s use DV tapes and are not nearly as high quality as what I get out of the GH2s, so I'm hoping to replace them soon. I use two Panasonic GH2s (AVCHD codec to MTS file) and two Canon HV30s. I shoot live music with multiple cameras/angles. I also want to make sure I'm using the most optimized workflow possible. Overall, I feel like my work looks good, but I know it can be better. But I always feel like I'm just stabbing in the dark and am lacking a methodical approach. I can get close to matching footage from different cameras using the tools in Premiere, and do contrast curves, etc. Go figure.īut when it comes to actual grading and doing things the "right way", it seems a bit overwhelming. Colorista II absolutely sucks in Premiere, but is great in After Effects. I can edit all day long, and do basic or preset-based color correction (using tools like Looks or the ones included in Premiere/AE). They then get put off by the 'complexity' of the software. Too may editors who know their way round a 3-way/magic bullet on an NLE assume that a grading tool is going to follow the same conventions and methodology. One issue is that grading shares very little skillsets with editing. Learn about more our flair and how to get your own here. When you see verified pro flair, you can be sure the commenter works in the industry and has years of experience.In this spirit we encourage detailed and insightful posts, comments, and discussions on the Cinema Arts. This is a place to learn from and share with professionals. Professionals and amateurs alike unite to discuss the world of filmmaking. r/Filmmakers is a place to meet, share work, tips, tutorials, and experiences in the field. Piracy or advocacy of piracy is not toleratedįollow us on Twitter or join the Reddit Filmmakers Network on Facebook. No Travel Videos or V-Log videos are allowed. Please remember that simply posting your film or page for views or subscriptions is not allowed. For example, you can detail lighting setups, explain how a particularly complex shot was achieved, or go over any setbacks that hit production and what you did to overcome them.Īll submission statements must be at least 100 characters in length and be submitted within 30 minutes of submitting your post. Outline your involvement in the project and provide some insight on how it was made. If sharing your work and not seeking advice, your post must serve an educational purpose for the rest of the community. It may also help if you provide some of your own thoughts on your work, such as what you see as your strengths or areas of improvement and why. There are many aspects to filmmaking, so specifying what you want people to focus on will get you better results than simply asking for general feedback. If you are seeking advice or feedback, explain what it is you need help with, whether that's lighting, cinematography, audio, editing, or something else entirely. If submitting a film, trailer, or other creative content, you must select the "FILM" flair and include a submission statement (a comment on your post) elaborating on the following: ![]() Please treat all users with respect and politeness.DARK MODE NORMAL THEME Apply for your VERIFIED PRO flair today! Rules Apply for your VERIFIED PRO flair and be sure to follow on Twitter. ![]()
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